Sunday, May 27, 2012
Tuesday, May 22, 2012
Rd 10 at Garden Hill
....down the hill, past the Garden Hill Garage and up the steep climb.....an intimate, peaceful spot I pass every day.
SOLD!
SOLD!
Monday, May 21, 2012
Development
Everyone seems to hate trees, because they rip more out of the ground than ever seems necessary.....one house going in on 113 acres, and all the little copses are being torn out....habitat for many birds and other creatures.
Saturday, May 19, 2012
Friday, May 18, 2012
Morning Hill
I stopped on the morning drive to work and diagramed this fresh May hill. This painting was made later that evening.
Sunday, April 29, 2012
2 Encaustic Paintings, Lake Ontario, Late April
Encaustic is a wonderful medium, and especially suited to the scale of my work. It has been a while since I've made encaustic paintings....other methods require less preparation. Here, I used the same diagram to produce 2 works, one a bit bigger than the other, one on thin plywood panel, the other on paper laminated to panel.
- both are SOLD!
- both are SOLD!
Wednesday, April 25, 2012
Saturday, April 21, 2012
Orchard Asleep, Mid April.
Acrylic and pencil on unprimed printing paper, 11 x 15 inches.
An orchard high atop a hill on highway 2, close to Port Hope. Lush greens of spring on the ground but no new growth on the apple trees yet. They were a more purpley grey than this, but I left the darker contrast.
Saturday, April 14, 2012
Sweep
Tuesday, April 10, 2012
From the Home of Katherine Humphreys

Nothing gives me more pleasure than to see my work well presented in someone's home. It also brings the creative process full circle. On a winter day I stopped to diagram this scene at Rice Lake, painted the piece later that day, lived with it and studied it for a time....and now it's gone far away to live in the lovely home of Katherine Humphreys.
Monday, April 9, 2012
Village Dump Site
Thursday, April 5, 2012
Some Spring Paintings




Recently the Millbrook, Ontario printmaker, George Raab gave my some various sizes of Arches paper that he couldn't use for his large prints, and I'm really enjoying painting on the unprimed surface; it's very intimate and responsive. In some cases a thin wash goes in as an undercoat, and sometimes a last stage of pencil work is used to help tie things together. The little paintings seem to be getting a bit bigger...yikes!....but still not bigger than 11 x 15 inches. Thank you, George!
Thursday, March 22, 2012
....In the Lovely Home of Kim Frohsin

Many thanks to the wonderful San Francisco artist, Kim Frohsin, represented by Paul Thiebaud Gallery and many other important galleries, for sending me this great image of one of my paintings in her beautiful home. I love the way Kim goes about making her art so it's doubly inspirational to see my piece in her environment.
Sunday, March 18, 2012
Saturday, March 10, 2012
Sunday, March 4, 2012
End of Winter
Tuesday, February 28, 2012
Saturday, February 25, 2012
Tuesday, February 21, 2012
Sunday, February 19, 2012
Noon Blue
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