Self with Glasses

click here to view or purchase recent Stooshinoff works.

In a work session it helps to just keep going. The mirror is set up in front of me so I can turn to that as other plates were drying. This method is so responsive because it's very much like drawing. First the plate was completely covered, then wiped to expose the head shape, then worked back in to. If I got too picky or precious (which I did once or twice), I would just wipe the whole passage out and draw back in......no long pauses for too much thought or fuss, but there was time for some self evaluation.

Haliburton Monotypes

click here to view or purchase recent Stooshinoff work

I have long done monoprints or montypes but forgot how wonderful they are. The advantages are the ease and freedom of the processes, and the opportunity to exploit surprise. In a recent workshop attended at Haliburton School of the Arts, I used watercolour on sanded heavy duty plastic plates which were run through the press. Most images were double plate images, meaning that one plate was used to print a unifying undercolour before the top image plate was run through the press. Some of the prints I keep without any further additions, but many have more watercolour added once the paper is dry....this is an example of that.

I will post more monoprints from this workshop over the next week.

I also fell in love with the Haliburton School of the Arts studio building...it is a roomy, wonderful place to work!