Showing posts with label monotype. Show all posts
Showing posts with label monotype. Show all posts

Saturday, September 1, 2012

2 More Watercolor Monotypes

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The treatment in the cloudscape is more transparent...paint the plate with one layer of reasonably thick watercolor, scratch through in places. The second image has more layers....let watercolor dry on the plate, overpaint, let dry, and print.
 
 

Tuesday, August 28, 2012

Self with Glasses

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In a work session it helps to just keep going. The mirror is set up in front of me so I can turn to that as other plates were drying. This method is so responsive because it's very much like drawing. First the plate was completely covered, then wiped to expose the head shape, then worked back in to. If I got too picky or precious (which I did once or twice), I would just wipe the whole passage out and draw back in......no long pauses for too much thought or fuss, but there was time for some self evaluation.

Sunday, August 26, 2012

August Green, Watercolour Monotype

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 I'm looking forward to using more of this very seductive process this year. For someone like me, who works quickly, it pays to have a number of plates on the go at the same time, because you have to wait for the watercolour to dry completely before you add another layer, or before you print. This is the first print produced, from a single plate image.
2 plates were used for this one, and I think I may have worked back into it with watercolour. The techniques become seamless and after a while, it's even hard to tell what was printed, and what was added by brush later.
 

Monday, August 13, 2012

Mono Mania

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I produced many monoprints, in a number of series. My faourites were a group of self portraits and a group of landscapes made from my customary quick diagrams. I kept over-running the road to the studio, ending up at the town dump, repeatedly. I love dumps so took the opportunity to diagram the scene above. It`s a 2 plate monotype. The self portrait is a one plate monotype but had watercolour painting over top.

Sunday, August 12, 2012

Watercolor Monotypes

To view or purchase recent Stooshinoff work, click here.




Both of these little monotypes are the first printings. In each case I printed the plates a few more times. In the past, I often went back into the plates to made additions between printings, but I didn't in this case. There are always a great many things to try with monoprinting. The workspace shot is my little table at Haliburton. I miss that lovely studio already.

Saturday, August 11, 2012

Haliburton Monotypes

click here to view or purchase recent Stooshinoff work



I have long done monoprints or montypes but forgot how wonderful they are. The advantages are the ease and freedom of the processes, and the opportunity to exploit surprise. In a recent workshop attended at Haliburton School of the Arts, I used watercolour on sanded heavy duty plastic plates which were run through the press. Most images were double plate images, meaning that one plate was used to print a unifying undercolour before the top image plate was run through the press. Some of the prints I keep without any further additions, but many have more watercolour added once the paper is dry....this is an example of that.

I will post more monoprints from this workshop over the next week.

I also fell in love with the Haliburton School of the Arts studio building...it is a roomy, wonderful place to work!

Friday, April 1, 2011

Monoprint with Watercolor





Produced with waterbased printers ink. A glass plate is rolled with a thin layer of ink, paper is placed on top, a drawing is produced with a pen, the reverse side picks up the ink dependent on pressure applied. Water color was added after the prints had time to dry. Part of a larger series.

Saturday, November 7, 2009

Oil Monoprints



Exploring the top shelves in the studio I found this oil monoprint that was made a number of years back. It's a refreshing technique and I look forward to using it again once our etching press is rescued out of storage and placed in a new building. The image is painted on metal plate and then run through an etching press onto damp paper.

I usually made a number of images from the same original image....take a print and then work back into the image in some manner....what results is a series that goes through sometimes subtle, and sometimes dramatic transformations. I only found this image from the series on the shelves, but that doesn't mean the 5 more aren't lurking beneath a few more layers of paper.

Listed today on Etsy.