Saturday, August 29, 2015
Evening Cover, August 26
I was gifted some Canson paper and tried it out....it's not bad. It doesn't absorb paint at all, so encourages use of thicker paint. 9 x 12 inches. I love art papers of all types...always have.... and hope to explore even more types.
www.harrystooshinoff.com
Wednesday, August 26, 2015
Line Them Up!
....after I make each one, I stare at it for a good long time. The sign will hang from my tent at The Shelter Valley Folk Festival, near Grafton, Ontario, where I will show very many works on paper, Friday Sept. 4 - Sunday Sept, 6. I'll make a few paintings while the folk festival is going on.......I wouldn't mind if someone sat for a portrait.....
www.harrystooshinoff.com
Saturday, August 22, 2015
August.....
'Little Saturday House' and 'Bank Over Chickabiddy Place', acrylic and pencil on unprimed Arches paper, 10 x 13.5 inches.
www.harrystooshinoff.com
Wednesday, August 19, 2015
Heatwave and Dusk.....
The recent heatwave makes it unpleasant to be out earlier than dusk, so perhaps that gives me another reason to do paintings of this favourite time of day....all acrylic and pencil on unprimed Arches paper, 10 x 13.5 inches.
www.harrystooshinoff.com
Monday, August 17, 2015
Dusk, Home Line, August 16 (Sold)
....by the time I make it back here, home is only 10 minutes away, and the day's light is almost used up. Acrylic and pencil on Arches paper, 10 x 13.5 inches.
www.harrystooshinoff.com
Dusk, North Sky, August 15
Acrylic and pencil on Whatman paper 10 x 13.75 inches, with the little on-site diagram used to make the work.....in the last bits of daylight the quality of air changes so quickly, the light changes noticeably almost minute-to-minute. Where I was standing on the highway, I could feel the coolness as the dew dropped. The horses were all in paddocks close to the house, keeping them safe for the night.
www.harrystooshinoff.com
Friday, August 14, 2015
Opening, August 13
Acrylic on archival paper, 7.5 x 11 inches, signed lightly in pencil. Very strange, active skies last night led to a day of thunder storms today. 2 collage paintings were made in the past 2 days, so today I went back to painting directly on the paper....these types of procedural changes happen naturally.
Thursday, August 13, 2015
Climb
Acrylic collage painting on archival paper, 7.5 x 11 inches, signed lightly in pencil.
www.harrystooshinoff.com
Wednesday, August 12, 2015
Dusk on Chickabiddy Line (Sold)
Summer moves so quickly.....there is always a change of mood in early August that seems partly a response to the change in land, air, and light. The crops are mature, or getting there, it darkens earlier, the smells are a bit different. Acrylic collage painting on archival paper 7.5 x 11 inches, signed lightly in pencil.
It is strange to consider the history behind how I make things now. Sometimes when people ask how this is done, I see almost exactly how I got to this point, and am only mystified it took so long to do such a simple thing. In a small praire town I looked at a lot of skies, enjoyed rambling over any bit of wild land I could find, went searching for it in many places, played hooky in middle school to go sit in the snow by the river, carve sticks and stare at the landscape just to feel the wonder of things. And I remember trying to figure out how to put things together in a picture....always interested in that from perhaps aged 12 forward. I had Mr. Egenschweiller (sp) order every book on art through interlibrary loans I could find (bless your kind, sweet heart). I remember standing in the stationary store down by railway street, smelling that wonderful odour of oiled wood floors and the green granular cleaner they used to sprinkle on and then sweep up. In that store I remember looking at the 'how to paint' books and would marvel at the skill (seems déclassé now, but any instruction helps). And I was eager, and excited, wanted to learn....I'd draw horrible pencil drawings of trees and landscapes. Years of art school takes you through many styles and influences, your tastes change, many things are sampled before you seem to settle, all kinds of techniques are tried. These pieces now are a distillation of many things absorbed through the years....art history from French realism, Corot, Barbizon, to the impressionists, fauves, post impressionists, expressionists, and all manner of isms, including various forms of abstraction and non-representation in the 20th century. In all this, there is belief in the hand....your hand can do much...let it make things! Let it find out how to make things....I still have that naïve belief in picture magic of the 12 year old boy standing in that stationary school by railway street.
www.harrystooshinoff.com
Saturday, August 8, 2015
Saturday Morning Route
Acrylic collage painting on matte board, 7.75 x 9.75 inches, signed lightly in pencil. They never turn out how I expect....they turn out some other way instead, but that said, there is always a balance achieved and they stop in some interesting place.
Friday, August 7, 2015
August Beach
Birdsall Beach on Rice Lake......a beautiful August day. Something that takes no effort, or little effort, will often appear very fresh and lovely in a painting. Collage will do that...the effort was made previously, and it was an easy, joyous effort at that. Lack of ease can be discouraging, disheartening.....so what gives the impression of ease in a painting? Lots of things will do it....and lots of things will prevent it. To some degree, these works are about this issue. How to keep the image fresh, alive, surprising, mysterious....in every stroke.
www.harrystooshinoff.com
Thursday, August 6, 2015
Dusk, Almost Home (Sold)
I don't roam that far, but the things to see are endless. The weather, light, and seasons change.....each day feels very different if you get used to paying attention to little changes. As well, I change, because the thoughts working through me vary, which changes the emphasis and priority of what is seen. Acrylic and pencil on single ply archival matte, 7.75 x 9.75 inches, signed lightly in pencil.
...the back deck...the most common access to the back gardens, where the cats and humans love to spend time. Last night, while I was watching The Walking Dead, I forgot to take in the cat crunchies......a lovely skunk was enjoying crunchies and water just where you see this painting.....(skunks are very, very nice).
Wednesday, August 5, 2015
Dusk on Lost Dog Hill (Sold)
After a day of storms the evening was pleasant and calm with fast moving skies. On any particular day, whatever mood you wish to see in the landscape, can be found. Your eye and mind work as a lens to focus, to find what they wish to. We each remake the world.....
Acrylic and pencil on single ply archival matte, 7.75 x 9.75 inches, signed lightly in pencil.
www.harrystooshinoff.com
Monday, August 3, 2015
Storm Over Little House (Sold)
.....yesterday close to dusk....but the storms after dark were violent, with many homes in the area still without power. Acrylic and pencil on single ply archival matte, 7.75 x 9.75 inches. These short series do not usually go on for very long.....we'll see how many more happen, if any. They do tend to pick up again after a time, though.
Sunday, August 2, 2015
Incoming at Dusk
....a companion piece to the one posted the other day. A number of years ago I started doing these sky scapes with just a bit on land on the bottom....I make a few every now and then when the skies are very active. Acrylic and pencil on single ply archival matte 7.75 x 9.75 inches, signed lightly in pencil.
www.harrystooshinoff.com
Saturday, August 1, 2015
Storm Coming, July 31
Acrylic and pencil on single ply archival matte, 7.75 x 9.75 inches, singed lightly in pencil. A few storms rolled through yesterday making for interesting sky viewing. The first downpour of the day was fierce.
Friday, July 31, 2015
July End.....
Acrylic collage paintings on single ply archival matte, 7.75 x 9.75 inches, signed lightly in pencil....the hot, final days of July, clouds flying by and coming together in all kinds of formations....
The paintings are often a combination of what is known/sensed/understood...and what is seen. While I love a lot of plein air painting, and I do make work based directly on observation....for me it is seldom a problem of simply recording what is seen. I know that if the work is more of an inevitablity than a surprise, I am less likely to make things....therefore the problem is always how to find surprise.
Tuesday, July 28, 2015
Moon at Dusk, July 27
I set out a little later than usual because it was so hot all day....a calm, beautiful evening....the moon hanging in the south sky.....acrylic and pencil on single ply archival matte 7.75 x 10 inches.
Although these pictures look very representational, even realistic, on any given day this could have turned out to be something relatively abstract, or fully abstract....just as easily. The only thing that does stay consistent is the idea that something in the world is being thought about as the work is being made......
Monday, July 27, 2015
Forest Sky
Yesterday evening...hot and humid...in the forest with a fast moving sky above. Acrylic and pencil on single ply archival matte board 8 x 10 inches, signed lightly in pencil.
www.harrystooshinoff.com
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